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Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

A Post Post

It's been a while since I've posted any comic book stuff, so let's post some Howie Post!

Howie, who passed away not so long ago, had a long and respectable career in cartooning. One of his early gems was Jimminy and the Magic Book series, back in the '40s. As has been noted by BookSteve, Howie was influenced early on by Walt Kelly's work—but certainly not imitating him.

We have OtherEric, of the Digital Comic Museum, to thank for these scans. He sent them over a long time ago, but I just now got around to cleaning them up a bit. OtherEric has shared a bunch of The Adventures of Peter Wheat over on Whirled of Kelly, and I certainly appreciate his continued friendship!










Joey to the World!

Boy, am I proud to present a segment of the world-renowned, beloved by everyone, epic saga of Kanga Boy by Wallace Tripp. Boy oh Boy. Chef Boy R Dee. Man and Boy. Boystirus. Boyzenberry.

Did I mention it's by Wallace Tripp? Spa Fon! Hoo boy.


Military Necessity

The great adventure cartoonist Milton Caniff created a comic strip just for servicemen during World War II, Male Call, featuring the sexy and liberated friend of G.I. and general alike—Miss Lace.

It's thought by many that the immortal Bettie Page's hairstyle was inspired by Miss Lace. In fair play turnabout, here, Jim Silke pays tribute to Miss Lace—having 'Bettie' emulate one of her iconic poses, as seen in the lower images by Caniff. You can see a nice collection of the comic strips at Mr. Door Tree's blog site, by clicking here.

Jim Silke — Bettie as Miss Lace

Milton Caniff — Miss Lace

1942

Look out, here comes Mr. Snarly again:

Comic strips! Don't get me started about the huge gulf between comics of yesteryear and those of today.

Picture this. 1942. We're committed to a war. A world war. We've got paper shortages as well as all kinds of other things. People are distracted and harried. Everyday is a matter of life and death. But the newspaper editors know that comics are important to general morale. Heck, some people buy the paper JUST for the comics. The artists, the editors, the pressmen—they all work hard to bring a quality product to America's living rooms, knowing full well that the papers will shortly be out the door and into the neighborhood paper drives. People are even donating comic books to be recycled fer cripesake. They're gonna make cardboard ammo boxes and weapons manuals and wads for blanks used in training exercises. Newspapers in the door one day, gone the next. 2 cents, 5 cents, 10 cents for a newspaper. Read it, bundle it up, get it out of here to help the war effort. Nobody collects comics, you read em, you move em on.

Yet, cartoonists gave it their all. They loved what they were doing, and people loved what the cartoonists were doing. Look at this 'run-of-the-mill' Sunday strip (minus the glorious color of the times) by Frank Miller (the original Frank Miller). Disregard the racist characterizations (this was the hard and vicious enemy, for heaven sake). This was entertainment with just lines on paper. This was just one page of a large section of cartoonists giving their all.

Comics today . . . phh . . . don't get me started.

Take a closer look at that 2nd tier panel. What a beautiful composition.

Okay, we've looked at it. Now let's throw it in the recycle bin.


Life is Actually Very Peaceful

A new category! 'Stuff that's been hanging on the fridge . . .'

Kevin Fagan — Drabble — 1995-10-28

Gee Whiz!

Hi. My name is Thom. I'm an Oopaholic.

I just can't get enough of Alley Oop, by V.T. Hamlin.

Here's a little present to you other Oopaholics (and I know you're out there) from my little stash of Alley Oop strips—this starting on Christmas eve of 1967.




Glory and Pageantry

OK, for the pleasure of comic strip illustration connoisseurs, I will scan and post some more Hal Foster Prince Valiant black and white art some time next week.

I really enjoy studying his line art, and I know there are some black and white purists in this viewership, but color is such a part of the glory and pageantry of the Valiant Arthurian epic. Here's a panel just to remind us of that:


In the Days of King Arthur

Anyone who loves Hal Foster's artwork, and specifically Prince Valiant, has seen his work dozens of times in dozens of different editions of printings, including the beautiful current hard covers from Fantagraphics.

But somehow I am so enamored of the 1950s Hastings House editions that printed Foster's artwork as black and white line work, with a narrative text by Max Trell. The artwork is so clean and crisp, looking much like his original drawings would look like. And there were epic scenes throughout.

I'm only showing a few of the many illustrations in this volume, not in any particular order, and one of those I cropped. We've seen this work in many places, but if you'd like to see more of these beautiful black and whites, let me know and I'll be glad to scan some more.

I love this set of books!














Of Time, And The River

When I tossed out years of comics, in the late '80s, to lighten the load of my heavy footprint on this earth, I at least had the decency to keep a few representative samples of various cartoonists. Li'l Abner was never a very favorite strip of mine, but the art was fun, and the drawings of women took on new life after Frazetta jazzed em up years before I started collecting.

Anyway, this particular strip seemed to be a good sample to keep, being representative of Abner's character, some satire, a beautiful Cleopatra, and wow! A time machine!

Anyway . . .


Tryin' T'Be a Nice, Upright Accommodating Fella

Hi — I'm Thom.

I'm a blogaholic.

Really, I'm addicted, I can't stay away. I'm hooked on scanning and sharing. I'm far from being done with my deadlines, but here I be—dragging out some old Alley Oops, cuz I've gotten some requests, asking for any I got.

Wull, here's the thing. I used to collect ol' Oop every Sunday from '64 or so 'til the late '70s. And then one day after I was married, I realized I just couldn't keep everything I ever owned, and out they went. But I couldn't toss my Pogo Sunday collection—and lo and behold, Oop was on the backside of a number of the Pogos. But not always. Editors kept switching Sunday Funny layouts. So I have a few here and a few there. Here's a few in a slightly consecutive run, with some missing. But the neat thing about the Oop strip is that not much really happens in the long run, and each strip is fun just by itself. In this run evidently someone thinks Oop is a ghost, cuz of the lightning, but not seeing that part doesn't really hurt the story line at all.

I've got some more Oops that I'll post some other day.

I just can't stay away from this bloggin' stuff. It kinda cheers my day.

Cheers to you!







All Hallows Eve Ball

Shmaybe just a li'l bitty more Halloweenie Mutts? By Patrick McDonnell? Copyright by him? Every last little drawing by McDonnell is either funny or fun.





All Together . . . !

Who doesn't love Patrick McDonnell's Mutts, especially the early strips. His splash panels for the Sunday strips are a graphic historian's delight, nearly always a Mutts homage take-off on some classic graphic of our times. Here's one and, what a coincidensh, in the shpirit of Halloween.

The above poster borrowed from Mr. Door Tree.

Nature Factoids

Mark Trail was created in 1946 by Ed Dodd, as an adventure strip, but by the time I was collecting it, it had become an encyclopedia of nature factoids. Not very exciting, but the graphics were colorful and compelling. I've saved a lot of them, even to this day.