The female nude form dominates the history of art and decorative illustration, and apparently the posts of this blog. But there are some seemingly rare examples of using the decorative male nude form, such as this suite of drawings by Beatrice Stevens, from the 1920s—much in the spirit of Franklin Booth.
The drawing suite is entitled Four Oaks, with subtitles referring to the four movements of classical musical compositions—allegro, andante, scherzo, and allegro con brio.